Alexandre Desplat - The Grand Budapest Hotel (2014)

To anyone that says director Wes Anderson doesn't change, we say, take a closer look. Yes, his distinctive style is well, yes, very Wes Anderson, but he has been slowly shedding and disposing of some of his more well-known stylistic trademarks. Gone are the slow-motion shot at the end, the future font (replaced with cursive and other non-standard fonts) and the use of modern music. Anderson used to arguably feature wall-to-wall pop songs in his films, but that changed around the time of “The Darjeeling Limited” (which featured a Rolling Stones and three Kinks songs, but was largely dominated by the original music of director/writer/composer Satyajit Ray).